Jack Hinson’s One-Man War: A Civil War Sniper
by Tom C. McKenney
Pelican Publishing
ISBN 9781589806405

A Review by Rickey E. Pittman

Revenge is a strong emotion, one often attached to or possessed by individual soldiers or civilians in times of war. Jack Hinson’s One-Man War: A Civil War Sniper  (Pelican Publishing) is a story of Jack Hinson, a man living along the Kentucky-Tennessee border who attempted to be neutral in the Civil War. Two of his sons were captured by a Union (Yankee) patrol, executed on the roadside, decapitated, and their heads placed on the gateposts of their farm.
Such a sad story, but what’s worse–it’s a true one.
Now, the war became very personal, intensely personal. Hinson had a gunsmith specially design and make a .50 caliber rifle, designed for long-range accuracy. Hinson said goodbye to his family, and set out to obtain revenge. And the Federal Army learned the high cost of vengeance. With that rifle, Hinson killed over 100 Federal soldiers, marking each kill on the barrel of his rifle.  Confederate sniper, scout for General Nathan Forrest, Hinson was hunted by the Federal Army. Alone, he captured an armed Union transport, and he also warred against the guerrillas terrorizing the border states. Hinson did not record their deaths.
Hinson’s recorded kills probably makes him the most successful Confederate sniper of the Civil War.  If you enjoy reading about the Civil War, you will enjoy Jack Hinson’s One Man War.  McKenney’s well-written and detail-packed account is carefully researched and this is a story that is sure to touch your heart.

When I present my Texas History program in schools, I often teach them about Governor J.S. Hogg and of course make reference to his daughter, Ima. I just finished a funny song about Ima and wanted to share the words. It’s to a boogie-woogie pattern. I can’t wait to try it out on the kids. I’ll have to add it to my CD I’m working on as well.  If you don’t know anything about Governor Hogg or Ima, you should read about them. Below the lyrics is a photo of Hogg and his family.

“Ima Hogg Boogie”

VERSE 1

There’s a lot of strange names,
A man might give his kids,
But none could ever hope to match
The one my father did.

J.S. Hogg was governor,
Of the Lone Star State,
And though he did  folks much good,
He made a huge mistake.

VERSE 2

My Uncle wrote a poem
About the Civil War
The hero’s name was Ima,
A name my father did adore,

Without thinking of my future,
He did something quite insane,
J.S. Hogg the governor,
Gave me Ima’s name.

VERSE 3

On the day when I was christened,
I’m sure the parson laughed,
The way my teachers always did
When they called my name in class.

The students all would snicker
When someone asked my name,
And when I had to tell them,
My face turned red with shame.

VERSE 4

So, I’ll always be Ima Hogg
For all the years ahead
And though it made me famous,
I’d like another name instead

My imaginary sister,
I call her Ura just for fun,
So Ima Hogg, Ura Hogg too,
There’s two Hoggs instead of one.

J.S. Hogg & his family. Ima is the girl to the left.

Pelican Publishing has accepted my children’s book, The Faerie Flag of the Clan McLeod and they are seriously looking for an illustrator for it. If you are an illustrator of children’s books and are interested in doing the artwork for a HARD working author who knows how to promote a book, you need to apply. Here’s what you need to do if you are interested:

1. Don’t submit a request to me, or leave a comment about it on my blog as it won’t be responded to. I’m not the one who will make a decision. Pelican, the publisher, will decide. You must follow their submission guidelines which you can find here: Don’t waste your and the publisher’s time by not following those guidelines.

2. You need to have not only good English, writing and research skills, but you need a good grasp of the nuances of the English language, especially in regards to the Scottish culture. Loving Scotland, its culture and history would certainly be a plus.

3. You’ll need to know the legend and details (some historical) associated with the Faerie Flag of the McLeod’s.There’s tons of info about it on the Web.

4. You should be willing to utilize your present network and develop a larger one to help market the book.

In other words, being a children’s illustrator requires more than just being able to draw.  Go to the Pelican site and apply. I need a good artist on this one.

It’s All About a Story: A Review of the Music CD of Hanna Rector

When I was in Hot Springs in July, I encountered a beautiful young folk singer by the name of Hannah Rector.  I purchased her CD for the purpose of reviewing it and finally got around to it. With the exception of two tracks,  Hannah wrote the music of the CD. I felt the CD reveals real talent, and she certainly has good things ahead for her. Her music was certainly enjoyed at the Sons of Confederate Veterans 2009 National Convention in Arlington Hotel in Hot Springs.  Her music touches loss and learning in live, as well as her faith.  The lyrics are mature, solid, moving at times, and generally well-crafted and the music varies in tempo and style.  If you like blues, you’ll like her “Guitar Station.”  I think my personal favorite of hers is “Mirror, Mirror.” I’ll post some of her lyrics in another post. Her voice is excellent. If you’re interested in hearing some of her music, and learning more about her, you can and should explore her MySpace page here: http://www.myspace.com/hannahmaerector

For a first CD of it is really a decent effort. If you like acoustic guitar joined with the beautiful female voice, you’ll enjoy her CD. If you’re a Confederate, her version of “Dixie” will bring you to tears. Here are the song titles for It’s All About the Story:

1. “It Was You”
2. The Next Thing They will See
3. With a Leaf in Her Mouth
4. Down in the Valley
5. Don’t Give Up
6. Guitar Station
7. Mirror, Mirror
8. Cheat
9. Angel in Disguise
10. Save Me
11. Don’t Leave
12. Grains of Sand
13. My Children
14. Dixie

Hannah Rector

Hannah Rector

Hannah Rector at Hot Springs, Arkansas 2009

I discovered Adrienne Young some time ago. Here website is here: You can find photos and Young’s bio on her site.  She performs with a group called Old Faithful.  Here are the lyrics to a song from her CD, Plow to the End of the Row. It’s called “Lonesome Road Blues” and I liked it so much that I added it to my Americana show.  If you need to know the chords she uses, I’ll be happy to send them to you. Just email me or post a comment.

Lonesome Road Blues (Traditional, performed by Adrienne Young)

I walked on down that lonesome line
hung my head and I cried
I wept and I cried under a willow tree
out by the deep blue sea.
my mama, my dear papa can be found,
And my brother on a county road
Now I been down that long plank walk,
I’m on my way back home.

You cause me to weep, you do cause me to moan,
You cause me to leave my home,
I cried last night and the night before
I swear I won’t cry anymore.

Your fast mail train comin’ round that track
killed my brown-eyed boy
they took him down that smokey track
brought him back on a cooling board.
Now I’m looking down that lonesome line
just as far as care to see.
I have no money lost my brown-eyed boy
these blues won’t set me free.

you do cause me to weep, you do cause me to moan
you cause me to leave my home
I cried last night and the night before
I swear I won’t cry anymore.

Adrienne Young plays guitar and banjo and has one of the finest and most stirring voices you’ll ever hear. I encourage you to check out her music. Here is a photo of her and her banjo. I found that photo here:

Adrienne Young

I’ve been in the Gulfport/Longbeach area since Saturday. I’ve had four 14-hour workdays with my co-author on a future book entitled, The 14th Denial. It is part memoir, part expose, based on the experiences of Detective Lee Cody in Jacksonville, FL. We should rap the manuscript up today or tonight.  You’ll be hearing much more about this book in the future. Lee joined me at my book signing at the Gulfport Barnes & Noble. That signing turned out well, almost a sell-out. With Lee at the table is Christina one of the B&N managers.

Christina & Lee Cody at Barnes & Noble, Gulfport 2009

For the past two days, Lee and I have eaten at a cool beach restaurant called Shaggy’s.  It also looks like theres a good chance I might get to perform there in the future. I’ll be talking to the manager soon about that.  This is my new friend Katie, our server for the past two days at Shaggy’s. She was cute, witty, and fun to be around.  The food at Shaggy’s was great! Their website is here:

Katie at Shaggy's, Pass Christian, MS 2009

This is a blues song I’ve written. The first two lines are repeated twice.  I do it in the key of Bm. It’s about a creative invidual, a manic-depressive with insomnia.

Ghost Train by Rickey E. Pittman

Sometimes late at night,
Between midnight and dawn
I’m on a lonesome highway,
And I’m walking it alone.

The LI7 Ghost Train,
I can hear its whistle at times,
I chase it down abandoned tracks,
Seeking for a sign.

My friends think I’m half crazy,
My wife knows I’m insane,
Because I stay up late at night,
Waiting for that train.

I know others travel this road,
But I always feel alone.
Maybe I’ll see Jimmy here,
Though I know he’s dead and gone.

I always knew I’d be a hobo,
In the dark corners of my mind,
Hopping trains and walking,
What’s there is what I’ll find.

Americana Song List

When I book a gig by myself (in those times when Tom can’t be with me—He is such a great singer), there are three song lists I do: Americana, Civil War, and Scots-Irish music. Today I wanted to post my Americana song list. Next to the song, I’ve listed the musician that I heard do the song. Some songs overlap genres. For example, there’s some songs I do in the Scots-Irish show that I sometimes do with this one. I left them with the Scots-Irish list, which I’ll post soon.  I can do almost all these songs by memory.  The list does not include my original songs that Tom is helping me record. As the CD nears completion, I’ll list those. Nor does this list include all the traditional country songs my father taught me that I can do on request usually. I’ve also got a Memorial Day song list for the military folks. There are many other songs I could have listed, but these are probably my favorites.  I thought 30 would give you an idea of what I do.

1. Alone and Forsaken – Neko Case
2.  Adios Days –  Pat Green
3. Fool that I am – Rita Coolidge
4. Crazy as a Loon – John Prine
5.  Lullaby – Dixie Chicks
6.  I will – Alison Kraus (An old Beatle song that she arranged)
7. Pick in his pocket – Mama Said
8. Step Inside This House – Lyle Lovett
9. More Pretty Girls than One Lyle Lovett
10.  Texas River Song – Lyle Lovett
11.  Till I’m Too Old to Die Young – Kieran Kane
12.  John Wayne & Jesus – Pat Green (I first heard Johnny O’Neal do this)
13. A Pirate Looks at 40 (Johnny Oneal and Jimmy Buffet)
14. Hallelujah – Leonard Cohen
15. Once in a Very Blue Moon – Nancy Griffith
16. Pancho & Lefty – Townes Van Zandt
17. Nothin’ – Townes Van Zandt
18. Sunday Morning Comin’ Down – Johnny Cash, written by Kris Kristopherson
19. I’m Sorry – John Denver
20. Kathy’s Song – Simon & Garfunkle
21. I’m Easy – Keith Carradine
22.  Summertime – Billie Holiday
23. Gotta Travel On – Bill Monroe
24. St. Francis Rose by Trish Murphy
25. LA Freeway – Guy Clarke
26. What’s Next to the Moon – Mark Kozelek
27. I Still Miss Someone – Johnny Cash
28. Those Memories – Several artists did this song (a sign of a good one I think)
29. Can’t Help But Wonder Where I’m Bound – Nancy Griffith
30. The Speed of the Sound of Loneliness – Nancy Griffith & Johnny O’Neal

An Interview with Grace Nuth by Rickey Pittman

Facebook and my love for Pre-Raphaelite art led me to discover Grace Nuth, a librarian (this blog knows how I adore librarians and my other librarian friends are on my list to interview as well),  and she is a beautiful and multi-talented lady who graciously consented to an interview. Though we touch on many issues and topics in the interview, the focus is on the art, personalities, and influence of the Pre-Raphaelites.  I intend to follow up this interview with a blog entry compiling various quotations related to this most compelling of artistic movements. Below is the interview, followed by photos of Grace. Anything in brackets is added by me.

1. How did your love for Pre-Raphaelite art begin?
It was a winding journey, but one with a definite destination!  In 1993, I first heard the otherworldly voice of Loreena McKennitt, and was instantly captivated.  Throughout the years, she has remained my favorite singer and a force in my life.  One of her best-known songs, “The Lady of Shalott,” is based on the Tennyson poem of the same name.  In 1995, while on vacation with my family, I came across a poster in an art gallery in a mall in the city we were visiting.  I was instantly transfixed, and bought the poster without hesitation.  It was of course J.W. Waterhouse’s famous painting of the Lady in the poem and song, and it was through Waterhouse that the path was opened to the original Pre-Raphaelite Brotherhood and all of their beautiful works.  I was hooked.

2. Why do you think the Pre-Raphaelites have had such an attraction to you and to thousands of others?

Having a general interest and fascination with art, I’ve read plenty of books and reviews on the subject of art history and criticism.  And frankly, many critics are snobs.  They argue that Pre-Raphaelite art is too twee [Something that is sweet, almost to the point of being sickeningly so], too precious, too romanticized, too photographic, but most of all, too illustrative…and yet it endures.  It endures more passionately and actively than many other art movements.  And, to tie in with your next question, I believe a large part of that reason is because the art itself is so illustrative.  And what’s so bad about that?  What we love about Pre-Raphaelite art is what we love about a good book…we can get lost in the story, captivated by the moment we see, and all of the context that led up to that one frozen moment in time.  Burne-Jones’ famous quote about his art applies here: “I mean by a picture, a beautiful romantic dream of something that never was, never will be – in a better light than any light that ever shone – in a land that no-one can define or remember, only desire – and the forms divinely beautiful” – Edward Coley Burne-Jones

3.  What connection did literature have with the movement?
Oh my…it might be easier to ask what artworks by the Pre-Raphaelites weren’t inspired by literature!  The original goals of the Pre-Raphaelites were to paint according to nature, express genuine ideas, reject the things in art tradition that don’t work, and create good art…none of which includes anything about painting from literature.  However, the Pre-Raphaelites were also romantics, and they were so inspired by the Romantic poets (Keats, Tennyson, Shelley, etc) that they began to paint pieces based on their work, as well as the classics of Shakespeare.  It was in large part because of the romanticism of Rossetti, and the Arthurian fascination of dear friends William Morris and Edward Burne-Jones that the ‘second generation’ of Pre-Raphaelites became so intrinsically known for painting pictures based on poems, legends, and various stories.  But the Pre-Raphaelites were no “mere” illustrators either.  Their fondness of romantic literature was perhaps only eclipsed by their love for symbolism, and it is the use of this symbolism in their art (as well as the knowledge of art’s scientific principals) that elevate their work beyond being considered simply illustrative.

4. You yourself have been described as a “Pre-Raphaelite model.”  In your mind, what kind of woman does this phrase describe?
First, oh bless you…I have to give you an enormous virtual-hug for that comparison.  To me, any physical compliment involving the Pre-Raphaelites is the absolute ultimate.  And to be quite honest, I think any similarity can be attributed to the fact that from the age of 15-on, I viewed the Pre-Raphaelite woman as the absolute epitome of beauty to emulate.

The Brotherhood were genius artists who based their work around a lofty ideal.  However, they were also young gentlemen with libidos, and they didn’t hesitate to behave mischievously on occasion.  They called the female models they discovered, usually in the lower-classes, as “Stunners,” and congratulated each other when a new one was discovered.  But these women, although often delicate in looks and health, held an inner strength of character.  I think especially of the movement’s two most famous ladies, Lizzie Siddal and Jane Morris.  Both women were beautiful, in very different ways, but they both harbored mystery behind their eyes and had many secret talents: Lizzie exhibited talent at painting, and Jane was accomplished with the needle, as well as being a driving force behind both William Morris’ and Rossetti’s lives and careers.

So, although I could go on and on about the physical appearance of the Pre-Raphaelite model (long red or dark hair, deep eyes, graceful hands, mysterious demeanor), the description “Pre-Raphaelite model” to me more represents a woman of strength of character and hidden depths.  The women who were associated with the movement were absolutely remarkable ladies.

5.  What books and films would you recommend to anyone wanting to study the Pre-Raphaelites?
Unfortunately, the best dramatization I’ve seen of the Pre-Raphaelites is a movie that’s pretty hard to come by…Dante’s Inferno Although it’s spotty in parts, some of the casting is absolutely spot-on, and gives one a feeling of being a part of the actual Pre-Raphaelite experience.  There is also a brand new film adaptation of The Lady of Shalott inspired by Waterhouse’s artwork, hot off the presses and available on DVD here:  and a dramatized miniseries coming out soon from the BBC on the Brotherhood, Desperate Romantics.  It is far easier to learn about the Pre-Raphaelites through books, and so many of them are really quite good.  Some of my favorites include

Pre-Raphaelite Art in the Victoria and Albert Museum
William Morris by Linda Parry
Edward Burne-Jones, Victorian Artist-Dreamer by Stephen Wildman et al.
Jane Morris: The Pre-Raphaelite Model of Beauty by Debra N. Mancoff
J.W. Waterhouse by Peter Trippi
6.  Are there any trends or events associated with or promoting the work of the Pre-Raphaelites that my readers should know of?
Well, if you live anywhere in the vicinity of London or Quebec, hie thee to the Waterhouse exhibit!  There’s an amazing exhibit of his work going on right now, entitled Waterhouse: The Modern Pre-Raphaelite, and from pictures at its first stop in the Netherlands, it’s remarkable.  I also have to give a shout-out to the William Morris Society (which, sadly I have not the funds to join, but greatly admire) who regularly hold absolutely wonderful-sounding talks and events, especially around the New England area.  A couple of years ago, a few kindred spirit friends and I jokingly discussed starting a “Pre-Raphaelite Convention,” which would be an absolute dream…a mixture of Medieval Festival, Victorian Fest, with food, scholarly discussions and panels, and booths where one could buy artisan items inspired by the Pre-Raphaelites.  Ah, if only.  Perhaps someday it will be real.

7.  What is your favorite anecdote/story of a Pre-Raphaelite? (Mine is Rossetti digging up the grave to get the poetry back)
I’ve been pondering this question for a few days, ever since you asked it, and I have to give a somewhat cheating answer.  I’d request permission to do a top-5 list rather than just one, since there are so many incredibly delightful stories about the P.R.B., it’s so hard to choose one in particular.

5. Rossetti’s elephant. Rossetti had a remarkable menagerie of animals he kept in his back yard, prompting many complaints from neighbors.  But he always yearned for an elephant to complete his collection.  He jokingly said that he would train the elephants to wash his windows, and when people walked by, they would say ‘there lives a remarkable man.’
4. Please Ring Bell. When the PRB was first founded, it was agreed (in jest) that the Brotherhood could put a sign outside its door with its initials, and anyone not in on the secret would think it stood for “Please Ring Bell”
3.  The meeting of Fannie Cornforth.  Depending on who tells the story, Fannie, one of Rossetti’s favorite models, either met the artist when she thew nut shells at him in the park, or when a group of the rowdy artists bumped into her on a crowded street, “accidentally” dislodging her hair until it tumbled around her shoulders.  Both stories have their incredible charm, and either way, I love them!
2. Si Je Puis. This was William Morris’ personal motto, and means “If I can.”  However, during the early days of Red House, (Morris’ beautiful home he had built for him and his new wife) one sneaky trickster among his friends modified a set of scrolls on the wall, inscribed with the motto, to instead read “As I can’t” in Latin.
1. …But I love you.  Although I love all the humorous tales of the Pre-Raphaelites, my favorite story has to be William Morris’ declaration of love for Janey on the canvas for his painting.  When he first met her, he asked to paint her portrait as Queen Iseult, and he quickly grew frustrated at his lack of ability to capture her on the canvas.  As legend goes, he wrote “I cannot paint you, but I love you” on the canvas (I have read that it was on the painting itself, and also that it was on the reverse side), shyly declaring his feelings for her.  It would be his only ever completed oil painting.

8.  How would YOU define “Pre-Raphaelite”?
Pre-Raphaelite art is above all else symbolic and illustrative.  It is often identified by an almost photographic realism (truth to nature), often uses the language of flowers in its symbolism, and has figures posed dramatically and sometimes somewhat artificially, but always in an aesthetically pleasant and enchanting way.  Pre-Raphaelite art is art that draws you in, and feels like a frozen single perfect moment captured in time.  It encourages the viewer to ask, “What happened before and after?”

This is of course not an exhaustive definition of Pre-Raphaelite, but it is certainly how I would define it!

9.  Tell me about your own personal art and your thoughts on creativity.
Art has been an intrinsic part of my life since late elementary school.  My parents encouraged my passion for it, and I had several art lessons throughout school.  I came very close to making art my college major, but changed at the last minute when practicality screamed at me that an English degree would be far more helpful towards career acquisition than a Fine Art degree.  However, I never stopped loving art.  Most recently, inspired by the Pre-Raphaelite desire to create beauty all around them in their decor as well as their canvases, I’ve started painting unfinished wooden boxes with illustrative acrylic artworks.  I also have painted murals on my walls and on the windows of the library where I work, and I’m currently working on a large mermaid painted with acrylics on a piece of wood that will be cut out and will act as a sign for the Sci-Fi/Fantasy section of the Teen department at the downtown library.

My Deviantart profile is  here

Like many of the Pre-Raphaelites, I prefer to paint and draw figurative subject matter, and those from fairy tales, legends, myths, and stories.  On a more theoretical level, I view the artistic pursuit of beauty to be my spiritual goal.  I pursue this in all aspects of my life, and the new discovery of something beautiful is a source of elation and joy.

10.  You and I have a mutual love for the art of John William Waterhouse.  Tell me how Waterhouse fits into the Pre-Raphaelite discussion.  What are your favorite works by Waterhouse?
Ahh, Waterhouse—the font of beauty.  I truly feel that art simply gets no better than his work.  J.W. Waterhouse both is and is not Pre-Raphaelite.  By the strictest definition, he is not…he was not a member of the original Brotherhood, nor was he part of the second wave of artists (Morris, Burne-Jones, Rossetti, who was also an original member).  His art could also be defined as Classicist because of his love for Greco-Roman imagery.  But in many ways, his art is intrinsically Pre-Raphaelite, thus the catalyst for the name of the current exhibition of his works.  I think I love Waterhouse not only for the intrinsic beauty of his images, but because his art style straddles the lines between the photographic realism of the first-generation Pre-Raphaelites, and the looser style of the Impressionists.  If you look at Waterhouse’s art, much of the backgrounds and side details are rendered thickly and vaguely, but his central figures are always painted with absolutely flawless precision.

My absolute favorite painting by Waterhouse is his blue Ophelia (ahh…you thought I would say The Lady of Shalott, didn’t you?).  It’s one of his more simple works, with just one central figure, and two vaguely rendered figures in the background, but the emotion in the piece is palpable, and of all artworks I’ve ever seen, I feel the most “kindred” to the central figure.  She stares out at the viewer, eyes slightly unfocused, with loose flowers barely clutched in her upheld skirt.  Her wild hair flows all around her, and she is caught in her own reality.  From a nearby bridge, two passers-by stare at her in wonderment and no small amount of confusion.  Who is this strange woman, and why does she act so peculiarly?  Waterhouse’s blue Ophelia is the poster child for every lonely creative romantic girl out there, the child who wanders in the rain, reads books at recess, and creates her own world. [You can see that painting here]

I also love The Lady of Shalott too of course, and Circe Invidiosa and Hylas and the Nymphs are two other favorites.  In context, another favorite is The Enchanted Garden , which was one of the last artworks painted by Waterhouse and was never fully completed.  See my blog post on this piece here:

11. I believe you frequent Renaissance faires.  Tell my readers something they likely don’t know about working for or with such events.
I’ve been to several Renaissance faires, and was a member of a reenactment group who were invited to participate in school days and a themed weekend at the Ohio Renaissance Faire.  It’s always enjoyable to try to recreate the feel of the era as well as possible, bringing bread and cheese and meats with you to eat, sitting in the type of chair they may have used in those days.  Costuming is another hobby of mine, and so Renaissance faires come naturally 🙂

12. Tell me a little about your blog and any website you promote or are associated with.
My blog, The Beautiful Necessity (thebeautifulnecessity.blogspot.com) was something I started in February of 2008.  After meeting an amazing kindred spirit friend in early 2007, I realized from her avid enthusiasm for not only Pre-Raphaelite art, but the artists themselves, that there was more to the story than I was focusing on by just admiring the canvases.  I became captivated by the lives of the artists themselves…they truly were absolutely amazing.  The Beautiful Necessity was started as an extension of that passion.  At the time, I wasn’t aware of any other blogs that were covering the Pre-Raphaelites exclusively.  Granted, now I am aware of some, and I’d highly recommend you visit
http://www.theearthlyparadise.com/
http://preraphaelitepaintings.blogspot.com/
http://preraphaelitesisterhood.com/

Also, I have to acknowledge the website of the friend who encouraged my passion for the artists as well as the art:
http://www.midnight-muse.com/
and the website of another dear friend who makes the most beautiful jewelry known to man:
http://www.parrishrelics.com/

Grace Nuth

Grace Nuth

This book, written by by Col. Tom C. McKenney (Marine Corp), relates one of the forgotten stories of America’s Civil War.  It is a must read. It tells the story of Jack Hinson, who became a Confederate sniper with a vendetta who killed over 100 Federal soldiers. Each kill was marked on his rifle, which I’ll soon post on this blog.

I’ll soon have another post with quotes from Mc Kenney’s book (Pelican Publishing). Here is a photograph of Hinson’s pistols and a whiskey flask that belonged to Nathan Forrest.  I also have the letter from the family that tells of the flask.

jack Hinson's gunsw