An Interview with Laura Elisabeth Ulrich, an Extroadinary Vocalist

Laura Elisabeth Ulrich is one of the brightest and most talented women I’ve ever encountered. We first met in my English class at ULM, and I was impressed with her writing, and later after hearing her sing, with her voice. She is passionate, loyal to her friends and family, and an achiever by nature. She is the paid soloist for the First United Methodist Church in our area, teaches voice and theatre, composes music, designs websites, has been the hired soloist for funerals, weddings and other social events, has been the paid soloist for several sports events and conventions, including the Republican National Convention. Laura graciously consented to this interview for my blog.

1. QUESTION: Give me a grief summary of your musical life.
ANSWER: I began scat singing “Lullaby of Birdland” before I could speak… I grew up singing jazz and from there I went on to do musical theatre until I got into college. Once in college, I received my first vocal lessons and switched over to Opera. My professor’s teaching belief was if I could learn the basics of Opera and do well in that, then I could do anything. I’d say she was right.
2. QUESTION: Laura, when and how did your love for music develop?
ANSWER: Honestly, I had no die-hard love for music growing up. I liked jazz, rock, heavy metal, and soundtracks. Actually, I typically despise listening to others sing. I’m FAR too critical. I hate listening to myself sing. What I fell in love with was the interpretation of music: the thousands of different ways that you can get across an idea, emotion, or belief through music. It can be instrumental, vocal, or even silence. Victor Hugo states it well, “Music expresses that which cannot be put into words and cannot remain silent.” Whether I’m listening to music or writing it, that is the point in which I search for.
3. QUESTION: What is your favorite genre (do they use that word in music world?) of music? Any particular favorite performers and songs?
Ooooh… genre… mmm… Rock. I have a severe love for Pink Floyd. I also like instrumental music – anything by Hans Zimmer or Jeremy Soule is incredible. Favorite songs? “When the Levee Breaks” by Led Zeppelin, “Fearless” and “Brain Damage” by Pink Floyd, and a remake of “All Along the Watchtower” by Bear McCreary.
4. QUESTION: You’ve traveled a good bit with your music. Tell my readers about some of your travels.
ANSWER: When I was younger, I sang with Masterworks Children’s Choir. We traveled to New York and D.C. After that, I didn’t travel with music until I got into college. In 2006, I performed in Austria for the 250th Anniversary of Mozart’s death, and went on to perform in Italy in 2007 in “The Marriage of Figaro.” I went over as an understudy and took the role of Cherubino over from the Italian woman they had originally cast. This past summer, I sang at the Republican National Convention several several times (with my first performance being on National television after not sleeping for three days and JUST arriving from the airport). During the summers, I travel across the state teaching music and acting with CA Studios (such as teaching kids to sing a rendition “Row, row, row your boat” in three part harmony with the Beatles’ “Come Together” as accompaniment), and now I am performing in Bastrop, La at the Rose Theatre as Lucy in their production of “Jekyll and Hyde.”
5. QUESTION: Do you play any instruments?
ANSWER: Heh… I can barely read music. I grew up learning things entirely by ear. If I can hear something once or twice, then I can perform it. I didn’t even attempt to read music until college, and… it still kicks my butt. Thus, I never tried to pick up an instrument. I can play piano enough to barely pass a piano proficiency exam (because I was required to in my degree lol!). However, I -did- just pick up a bass over Christmas and can now play through all of Pink Floyd’s “Dark Side of the Moon” album… I’m trying!!
6. QUESTION: What are your future musical plans?
ANSWER: Future? I have no idea. I’ve decided that I enjoy music far more as a hobby than as a profession. I enjoy theatre. I enjoy opera. I enjoy writing instrumental music. I’d love to one day have my stuff performed by Monroe Symphony… maybe it’ll happen. Either way, I’m doing what I’ve always done – I take the opportunities as they come. If something happens, AWESOME! If not, I’ll try again later. My foremost goal is to discover my niche in the music world. I can sing opera. I can sing musical theatre. I can sing jazz. I can sing rock. I can write the music. I can tear it apart and understand it. I really have a knack for hearing and writing harmony that isn’t typically there. But I can’t figure out what I prefer or which I enjoy the most. So my quest for now is to figure out exactly where and how my passion for music lies.

7. QUESTION: What advice would you give young singers?

ANSWER: Never let -anyone- tell you that you can’t do something. Can’t never could. You only fail when you have failed to try. I can’t count the hundreds of times that people have told me that I couldn’t do something and I’ve (luckily) been able to proven them wrong. Even now, with “Jekyll and Hyde” – My entire college career, I was told that you can’t perform both opera and musical theatre (that’s why I switched to opera rather than remaining with musical theatre). Yet in this show, I’m singing all the operatic first soprano chorus lines that lie in the stratosphere of high C’s, yet my actual character is an alto belter role. I was told I’d never make it into the Rome Opera Festival, that I’d never win competitions because I was a freshman, that I’d never win another competition because I won the previous year, that I’d never get the leading role in three consecutive shows in one season, etc. If someone tells you that you can’t do something, take that as an opportunity to prove them wrong! Never ever ever give up. It takes hard work. It takes blood, sweat, and tears. But in the end, it’s a mental game. If you believe to your core that you can do something, then nothing will stop you from doing your absolute best. Again, you only fail when you have failed to try.

Here is a list of Laura’s performances:

Performance Credits

Title of Production Role Played Backstage Work Year Venue
Hilarious History Betsy Ross 1995 Oxford University School
Pinnochio The Blue Fairy 1996 Young Troupe
Annie Warbucks Annie 1996 Strauss Theatre Center
Boogie on the Bayou Woodpecker 1996 Young Troupe
Southern Angst Narrator 1997 Young Troupe
Ramona Quimby: Age 8 Susan 1997 Young Troupe
Junkyard Dogs Skeeter 1997 Young Troupe
Return to the Forbidden Planet Chorus 1998 Young Troupe
The Hobbit Set Design 1998 Young Troupe
Sound of Music Louisa 1998 Strauss Theatre Center
I Sincerely Doubt That This Old House is Haunted Spotlight 1998 Strauss Theatre Center
Wait Until Dark Gloria 1999 Strauss Theatre Center
High Society Chorus 2000 Strauss Theatre Center
Sleeping Beauty Princess Narcissus 2000 Young Troupe
Wizard of Oz Ozian 2000 Young Troupe
Julius Caesar Various Costuming 2000 Neville High School
Cottonland Christmas Unwrapped Various 2000 Strauss Theatre Center
Canterbury Tales 2001 Neville High School
A Midsummer Night’s Dream Assistant Director/Music 2002 Young Troupe
Schoolhouse Rock Dori 2003 Young Troupe
The Lion, The Witch, and The Wardrobe The White Witch 2003 Young Troupe
Romeo and Juliet Juliet Music 2003 Young Troupe
Deathtrap Backstage Crew 2003 Strauss Theatre Center
Cottonland Christmas Unwrapped Various 2004 Strauss Theatre Center
The Best Little Whorehouse in Texas Linda Lou 2004 Strauss Theatre Center
Les Miserables (2x) Fantine 2004 Young Troupe
Annie Grace Costuming 2004 Strauss Theatre Center
Divorce Southern Style Elizabeth Costuming 2005 Strauss Theatre Center
Route 66 Backstage Crew 2005 Strauss Theatre Center
Opera Workshop Various 2006 Louisiana Tech University
The Marriage of Figaro Cherubino 2007 Rome Opera Festival
The Comedy of Errors Antipholus of Syracuse 2008 Dixie Theatre Center
Jubee Revue Various Assistant Director/Music 2008 Rayville Arts Center
Jekyll and Hyde Lucy 2009 Rose Theatre

In addition to these, there are numerous summer workshops where Laura taught, performed, and assistant directed.

Here are some photos of the beautiful singer. The last photo is of her in Figaro:

Laura

Laura

Summer Season for Storytellers

I love being a storyteller. I almost weep each time I present my programs to children and I see how much they enjoy it.  This summer, I’m spending my time developing  college classes for my online work and improving my school programs. There is so much to do, and so little time.  The summer is known as the “lean season” for storytellers, and I hope I can prepare for a good fall.

Thoughts on the Saint Patrick’s Battalion (San Patricios)

I just ordered a DVD about the Saint Patrick’s Battalion who fought for Mexico during the Mexican War. I hope to show it at the Celtic Society of Northeast Louisiana and the Scottish Society here someday. The site I got it from is here: A bit of trivia: Did you know that 1,500,00 Mexican citizens claim Irish ancestry? That fact is amazing to me. However, I’ve learned that there are schools and streets in Mexico named in honor John Riley and the other Irishmen. There’s a lot more to this story than I realized. I tried to attach the study guide offered with the video, but I think that failed. If you’d like a copy of it, leave a comment with your email or just email me and I’ll send you one.

A Place So Far from Texas: Thoughts on Point Lookout Prison

NEWS:

I understand a virus is ravaging Facebook.  I am on Facebook, but even though I use a MAC, which is generally virus resistant,  I think I’ll lay off a while until the virus is handled or I learn what to watch out for. I’ll soon have a new book out that I’ve edited. It’s called, Biography of a Sea Captain’s Life: Written by Himself. It’s the memoirs of W.C. Flanders that I edited for the Seegers family. I’m still intending to burn up the roads this next school year presenting stories and songs. I’m enjoying my online teaching job(s) tremendously. In July, I’ll be in Durant, OK for the Shakespeare Festival there and in Hot Springs Arkansas the last week of July for the Sons of Confederate Veterans National Convention.

A Place So Far from Texas

This blog entry is an article I wrote for TGIF Weekend Bandit, a small paper in North Texas. I thought I’d include it on my blog. See also August 14, 2006 for the lyrics to my song about Point Lookout, “Cry, Little Artillery Man.”

If you go to http://www.plpow.com/ you will find information on Point Lookout, a Prison Camp for Confederates from 1863 to 1865 in the state of Maryland during the War for Southern Independence. Point Lookout was a genocidal, ethnic cleansing, concentration camp filled with federal atrocities that housed over 52,000 Southerners, with a death count of over 14,000.  The site is devoted to many of the stories of the War Between the States that are left out of the history books.  “The tale of the camp,” writes Edwin Warfield Beitzell in his book, Point Lookout, Prison Camp for Confederates, “is a horrid story to tell. It is a story of cruel decisions in high places, a story of diarrhea, dysentery, typhoid and typhus, of burning sands and freezing cold in rotten tents. It is a story of senseless shootings by guards. It is a story of the despair and death . . .”  Yes, and many Texas men were sent there and died there.  As we appreciate our beautiful state, we should understand the pain that these men felt, suffering and dying in that place so far from Texas.

I hope you’ll check out the site and learn a little bit about this camp.  Here is a photo of the camp and a photo of the officers who ran the camp, Brig. General James Barnes and Staff. The photos are from a site devoted to Southern Maryland: http://photos.somd.com/showgallery.php/cat/591

Here are two quotes on the site’s (Point Lookout) first page that will give us a little to think about.

Everyone should do all in his power to collect and disseminate the truth, in the hope that it may find a place in history and descend to posterity … Gen. Robert E. Lee

Nothing fills me with deeper sadness than to see a southerner apologize for the defense we made for our heritage… President Jefferson Davis.

Point Lookout Staff

Point Lookout Staff

Return from Greenville, Texas Public Library

Last night, I presented a program of stories and music to the Friends of the Library in Greenville, Texas. Today, I presented my program to a large room of children and parents. The audience was warm and receptive, both to my stories and the music. This was my second program at this library, and I’ll have more photos of my visit to post very soon.  Sylvia, the librarian, is such a committed lady. She works long hours and takes great delight in bringing good programs to the children. In this photo is another dedicated worker–LeJeana, the Children’s Librarian.

LeJeana, the Childrens Librarian at the W. Walworth Harrison Public Library in Greenville, Texas

LeJeana, the Children's Librarian at the W. Walworth Harrison Public Library in Greenville, Texas

A Poem for the Clan Cumming and the Scottish Society of the Louisiana Hielands

The summer is starting to fill up and already I’m making plans for a busy fall, scheduling schools and festivals as musician/singer and storyteller. Today, I have Scottish matters on my mind. At noon today, at the Picadilly at Mall St. Vincent in Shreveport, I’ll be speaking and signing books for the Scottish Society of the Louisiana Hielands. That society has some great people in it. You can find their excellent website and all sorts of Scottish information here: If you live in Northeast Louisiana or East Texas, you should visit them sometime.

I also did some more reading on the Clan Cumming and wrote them another poem. Here it is:

The Murder of John the Red Comyn at Greyfriar’s Church

Feb. 10,  1306

John the Red and Robert the Bruce
Met on a cold day in Dumfries
The victory at Roslyn forgotten,
Because of pride and jealousy.

Bruce forged a plan of murder,
Of betrayal fed by greed,
With his brothers he conspired,
To commit the bloody deed.

An argument broke out,
It doesn’t matter why,
The Red’s blood darkened the soil,
As his soul rose to the sky.

Comyn land was divided
Among Bruce’s chosen few,
The clan was forced to flee,
To a land foreign, strange, and new.

A leader died at the church that day,
And never would return,
The victors write the history,
As the Cumming clan would learn.

Stories of the Confederate South: A Review

A Review of Stories of the Confederate South

This review was published recently in Louisiana Libraries Spring 2009, pp. 41-42  A review by Christy J. Wrenn, Magale Library, Centenary College of Louisiana.

Winner of the 1998 Ernest Hemingway Short Story Competition, Rickey Pittman teaches freshman composition at Louisiana Delta Community College. Currently, he finds himself writing freelance, editing, singing, playing guitar, and writing songs for Angus Dubhghall, a local Scots-Irish band that performs at Celtic festivals in the South.  He is a member of the Sons of Confederate Veterans, Camp Thomas McGuire, in West Monroe. Pittman also has the titles of Civil War reeanactor, public speaker on the War Between the States, and an original musical performer of Civil War period music.

Pittman’s love for Civil War history and his devotion to Southern Heritage led him to write this collection of eleven exceptional short stories on the subject of the South and the Southerners he found during his research of diaries, biographies, and specific historical events.

Rickey Pittman is an impressive teller of Civil War stories. Within all of them, Pittman pulls bits of details of Civil War history out of time, past or present, to create stories of passion and character to let his readers in on a secret or two that may never have crossed their mind. In the first contemporary story,  “Just Another Confederate Prisoner,” the author introduces us to Joseph, a young man whose father just died in Afghanistan. His mother finds a new boyfriend from Iowa; consequently, Joseph is removed from his beloved Louisiana where he is a senior playing sports for the West Monroe Rebels and active in a Civil War reenactment group where his father was a member. Joseph is dropped into a new place where he has difficulty fitting into their anti-Confederate culture.  His introduction to a new Sons of Confederate Veterans group opens his eyes, and gives him the endurance to stay in school until age 17, when he becomes emancipated by his mother to move back to Louisiana.

In “The Taking of Jim Limber,” a young Yankee soldier tells the narrative of soldiers who invaded the home of Jefferson Davis in Savannah, Georgia. The soldiers transported Davis to Fort Monroe and returned to his home to places his wife and children under house arrest. Captain Hudson, a Union official, was not comfortable that the Davis children had an African American playing companion, a boy named Jim Limber. Hudson believed the child to be a “bastard slave child of Jefferson Davis.”  Hudson began a plan when he said, “Maybe I’ll give him to someone who will teach him to hate you and the South.” Jim Limber became the story of a beaten slave that once belonged to Jefferson Davis as Captain Hudson toured through several major cities to put Jim on display.  When it was time to end the sideshows, one night the Captain and the young narrator Yankee soldier came back from the river without Jim. Was it guilt, or Jim’s ghost that later haunted the young soldier?

“Manhunter” unfolds the story of an expert tracker and marksman named Chicolithe and his special tracking dog Nimrod.  A young guard from Camp Ford delivers a summons to Chicolithe to help find six Federal prison escapees during an electrical storm.  He knows that this is not just an escape: the prisoners will have weapons, food and a route planned, but Chicolithe would have six blood hounds and his dog Nimrod, whose name means “mighty hunter of men.”

Rickey Pittman has the most matchless technique for taking a powerful theme of the Civil War and illustrating it with an explosive twist.  For example, in “Freedom: An Allegory,” James, a seven-year-old slave, lost his mother to fever death and his father to a bullet shot by a Federal Calvary man.  His good friend and his Master’s son, William, gives him a rabbit which James names Freedom. On a requested trip to the neighbors for the Mistress of the house, he sees an eagle, “the bird of freedom,” perched above on a pine tree. He lets the rabbit go and is please to set the bunny free, until the eagle swoops down and gives the rabbit true “Freedom” as it carries it north.

This short story collection would be a recommended addition for any public, school, or academic library shelf.  Pittman has proven himself as a unique writer for this Civil War historical time period.  He has also written the book, Jim Limber Davis: A Black Orphan in the Confederate White House.

A New Piece of Civil War Art

Today, I purchased a framed print at a little yard sale in Monroe’s Garden District. I’ve attached a photo of the print. According to this site:

“Organized as the Southern Rights Battery in Perry, Houston Co., Georgia in March of 1862, this battery would later become known as “Palmer’s Battery” and then as “Havis’s Battery”. Most of the officers and sergeants were recently discharged veterans of company C, 1st Ga. Infantry (Ramsey’s) who had seen service in Virginia. The battery was mustered in to Confederate service, 14th Battalion, Georgia Light Artillery, by Captain Joseph T. Montgomery at Perry, Georgia on April 26, 1862.
The unit went to camps of instruction at Griffin and at Calhoun. As the best drilled battery in the battalion, Southern Rights Battery was selected to join Bragg’s army in the invasion of Kentucky (Battle for the Bluegrass), receiving their baptism of fire at Perryville, October 8, 1862, attached to Brown’s Brigade, Anderson’s Division of Hardee’s Corps.

Mounted as horse artillery and now known as Palmer’s Georgia Battery, they accompanied John Hunt Morgan and his famous Morgan’s Raiders on his Christmas Raid, distinguishing themselves at Elizabethtown, December 27, 1862.

Relinquishing their cannoneer’s mounts and losing the gallant Palmer through promotion and reassignment to Cheatham’s Corps, Havis’s Battery reunited with their old mates from the 14th, Anderson’s Battery, and, along with Lumsden’s Alabama Battery became the Artillery Reserve of the Army of Tennessee, under Major (later Brigadier-General) Felix H. Robertson. As one wag put it, ” we are called Reserve Artillery because we are never in reserve.”

The Reserve Artillery saw action in the Tullahoma Campaign, Chickamauaga, the Siege of Chattanooga, Missionary Ridge, and all the battles of the Atlanta campaign. In the spring of 1864 Major Palmer returned to take command of the Reserve Artillery, and after the fall of Atlanta most of Hood’s artillery was sent to Macon where were located the Confederate Macon Armory and an Arsenal. The rest of the Army of Tennessee marched off to their ill-fated meeting with Thomas at Franklin and Nashville.

In the spring of 1865 Havis’s Battery marched to North Carolina to rejoin the shattered remnants of the army, surrendering with Joe Johnston at Greensboro, N.C. April 26, 1865, three years to the day after mustering in on the steps of the Houston County courthouse.”

If you like Southern art, and art on the War Between the States, you can find more information on Stand Strickland, the artist here:

Haviss Battery by Stan Strickland

Havis's Battery by Stan Strickland

Guenevere: A Poem by Sara Teasdale

Sometime ago, in my study of Arthurian legend, I discovered this poem and this poet. I like Teasdale’s work generally, but after reading and viewing a page of the Pre-Raphaelite Society about Guenevere (there are about three spellings to her name) I decided to post this one. It tells the love story with Lancelot from Guenevere’s point of view.

“Guenevere”

I was a queen, and I have lost my crown;
A wife, and I have broken all my vows;
A lover, and I ruined him I loved: —
There is no other havoc left to do.

A little month ago I was a queen,
And mothers held their babies up to see
When I came riding out of Camelot.
The women smiled, and all the world smiled too.

And now, what woman’s eyes would smile on me?
I still am beautiful, and yet what child
Would think of me as some high, heaven-sent thing,
An angel, clad in gold and miniver?

The world would run from me, and yet am I
No different from the queen they used to love.
If water, flowing silver over stones,
Is forded, and beneath the horses’ feet
Grows turbid suddenly, it clears again,
And men will drink it with no thought of harm.
Yet I am branded for a single fault.

I was the flower amid a toiling world,
Where people smiled to see one happy thing,
And they were proud and glad to raise me high;
They only asked that I should be right fair,
A little kind, and gowned wondrously,
And surely it were little praise to me
If I had pleased them well throughout my life.

I was a queen, the daughter of a king.
The crown was never heavy on my head,
It was my right, and was a part of me.
The women thought me proud, the men were kind,
And bowed right gallantly to kiss my hand,
And watched me as I passed them calmly by,
Along the halls I shall not tread again.
What if, to-night, I should revisit them?
The warders at the gates, the kitchen-maids,
The very beggars would stand off from me,

And I, their queen, would climb the stairs alone,
Pass through the banquet-hall, a loathed thing,
And seek my chambers for a hiding-place,
And I should find them but a sepulchre,
The very rushes rotted on the floors,
The fire in ashes on the freezing hearth.

I was a queen, and he who loved me best
Made me a woman for a night and day,
And now I go unqueened forevermore.
A queen should never dream on summer eves,
When hovering spells are heavy in the dusk: —
I think no night was ever quite so still,
So smoothly lit with red along the west,
So deeply hushed with quiet through and through.
And strangely clear, and deeply dyed with light,
The trees stood straight against a paling sky,
With Venus burning lamp-like in the west.

I walked alone amid a thousand flowers,
That drooped their heads and drowsed beneath the dew,
And all my thoughts were quieted to sleep.
Behind me, on the walk, I heard a step —
I did not know my heart could tell his tread,
I did not know I loved him till that hour.
Within my breast I felt a wild, sick pain,
The garden reeled a little, I was weak,
And quick he came behind me, caught my arms,
That ached beneath his touch; and then I swayed,
My head fell backward and I saw his face.

All this grows bitter that was once so sweet,
And many mouths must drain the dregs of it.
But none will pity me, nor pity him
Whom Love so lashed, and with such cruel thongs.